Balchladich beach in a south-westerly gale

The green wave curls,
the white wave smashes,
the cream banks of foam quiver on the sand
then scatter up into the wind like bursts of hysterical laughter.

The whole foreshore is a seething plain of froth
with gulls drifting high above it,
appearing to just hang in the sky
like the long banks of cloud laid out, unmoving, overhead.

In the south, the mountains, striated with snow,
hold themselves up like a frozen wave –
a suspended crest,
a momentary stoppage –

and I wonder how we can continue,
the sky so still,
the sea so live,
the earth so static.

Balchladich, Assynt, Scotland
23rd March 2021

apocalypse

It was like a sun from another universe. Wreathed and shrouded in finely-spun fibres of cloud, it hung low over the western horizon just north of the brown humps of Soyea. The cloud cradling it was a deep purplish rose but the hue of the sun itself was hard to describe. Not orange, nor yellow, nor even gold, it was a colour from another world, and its texture too seemed of a softness too fine to be from ours.

I stood at the shore and watched it, this very gentle apocalypse happening somewhere else, and all the while a strange ache grew in my breast – a sense of things I couldn’t reach for,  of distance without end. Meanwhile at my feet, the sea just kept sighing: surge, retreat; surge, retreat; surge, retreat.

Aird Ghlas, Loch Inver, Assynt, Scotland
19th March 2021

clearing

All the sounds are so loud: the flapping wings of the hoodies cruising overhead, the beating of the cormorant upon the sea in front of me, the crisp chirps of wee land birds on the hill behind. It’s intense – the clarity of the still air, the clarity of my cleared ears. They don’t hurt any more but I hear the noise of all the life here so acutely it’s almost painful.

The hammer blows of someone working on the other side of the loch rebound across the water. A dog barks over there too. I know that cold water conducts sound across its surface very efficiently but I feel as if I’m sitting in an amphitheatre. Even the occasional gentle shwoosh of the sea along the shore seems amplified. A prawn boat glides in, cutting the water in two with a steadily increasing hum, and I have the sensation that not just this but all sounds are drawing near.

All sounds are drawing near and all sounds penetrate. The wings of the hoodies creak so densely it’s as if they’re sawing through the sky, and when they caw I feel as if my brain is being grated. The hard-edged audio quality affects how I see things too. The loch and its headlands appear fresher and more present, turning rapidly as the sun sinks from green and blue to black and gold. The air contracts to a sharp coolness. The loch seems huge and small at the same time, with myself just a stillness beside it, collecting audible events in an empty echoing head.

This unusual clarity might also be due to the fact that, for the first time in weeks, I am alone – my attention undisturbed, my ears free of voices. Indeed, that’s what I’ve come here for, for this loud silence and for these elements: blessed seashore, blessed solitude, blessed sound.

Lochinver, Sutherland, Scotland
29th October 2019

moon

The sea like stretched satin,
the moon tight as a drumskin,
pulsing like a beaten heart.

taiko skin against rose-tinted clouds in blue sky

Swansea beach, South Wales
13th October 2019

roses

The Beast from the East is washing up roses; yellow roses, long-stemmed and fresh. They lie in front of me on the shingle shore, a bit battered but still intact, their damp petals closely furled and gently tinged with pink like cheeks flushed from the cold.

Where have they come from? I look around to the snow-covered hills behind and then back to the growing wildness of the sea ahead. It seems so improbably, to be standing here beneath all these white-capped waves and hills and find damp yellow petals at my feet, but here they are. I stare at them more closely. Their tender colour is vivid against the dark wet stones and, in this monochrome world, their presence makes everything else look even more black or white.

And I can’t decide which is whitest: the froth on the waves as they spill over, scalloping the shore, or the fresh snow lying in crystallised lines among the pebbles, or the smoothed fragments of quartz, or the plump breasts of the eiders paddling out into the wind, or the lean bellies of the herring gulls soaring up sideways in the stiff air, or the blanketing cloud pushing in briskly overhead, or the pure white disc of the sun within the cloud, sometimes dropping a cold platinum glint on the grey water, other times bestowing a soft sheen which rises on the slow westering swell before casting itself graciously on the shore.

I can’t decide and it doesn’t matter as I stand here before this shone water, before this powerful sea turning itself over with a glancing tenderness at my feet, softly smashing on the shingle like crumpled petals, like flung roses washed clean.

rosy-tinged yellow rose on wet pebbles with white surf receding behind

West Bay, Dunoon, Argyll, Scotland
28th February 2018

Ettrick Bay

cold sea, cold sun,
   Arran hidden within a vanishing haze,
      shining sands evaporating invisibly

Ettrick Bay, Bute, Argyll, Scotland
23rd February 2018