the stream

Out in the world. Glasgow on a Wednesday morning, Victoria Road, Govanhill. Low grey cloud after a false forecast of sun. I wander around trying to reorientate myself. My friend’s vintage clothes shop has vanished. My favourite cafe has become a refugee centre. The record shop cafe has become a yellow diner, complete with smiley American staff. Is it really that long since I was down this end of the street? In Queens Park, the magpies are still there, strutting and flitting in their handsome assured manner. I wonder how long magpies live, if these could be some of the same ones I’ve written about before, sliding smoothly up and down between the grass and the treetops, smart white fans snapping open and closed. I admire their clarity of movement, their crisp definition, their sure self-possession.

Back on the street, the human world seems less certain. It’s as if the street is undergoing an unseasonal moult, changing its plumage in patchy fits and starts. Above several shop fronts, painted signage from previous centuries has been uncovered or recreated, and there’s a lot of new signage which is weirdly old-fashioned. Garish fonts and hues from earlier decades compete with the alternative trend of twenty-first century Nordic minimalism. Of course, the charity shops persist: ‘shop here if you believe in children’, which I do. I saw one with my own eyes this very morning and, as I write this at my egg-yellow table, a gaggle of teenagers stroll past, puffer jackets on backs, mobile phones in hands. They’re much more glamorous than we used to be, with their dyed and straightened hair and polished faces. We saved our make-up for the weekends, for the Saturday nights going ’round town’, cramming in as many pubs and vodkas as we could manage. I heard they don’t drink to excess now, for fear of being filmed and ‘shared’ online. Better for their livers, I suppose, but I liked the forgetfulness of drinking, the possibility of a temporary loss of self and time.

In my own case, I don’t need to drink to get that now. Incurring a brain injury four years ago has done it for me. It hasn’t been catastrophic – I’m not amnesic – but I don’t feel like the same person. New memories fade quickly and old memories don’t always feel like mine. Reality has a different texture and, at a subtle level, it’s difficult to maintain a sense of continuity. All the more important, then, to stay in the stream of things; to not try to capture the moment but to absorb yourself in it. I settle up my bill and step back out into the street.

Govanhill, Glasgow, Scotland
13th November 2024

halo

silently
for twenty minutes or so
the sun explodes

a luminous shockwave
holding steady
at an angular distance of twenty-two degrees

is it a portent –
an angel or an apocalypse?
or is it all projection

    dispersion
          refraction?

high in the atmosphere
tiny hexagonal columns
          of ice

bending the sunlight
into each of our skyward gazes
beauty in the eyes of the beholden

a 22° halo forming a ring of light around the sun which has a  slight shadow around it, inside the halo, and looks as thought it's exploding, with a contrail cutting a diagonal swathe of cloud in front

22° halo, seen from Spidean Coinich, Assynt, Scotland
3rd October 2024

autumn

shaking aspen
shivering ripples
we quiver on the cusp

Unnamed lochan at Ardroe, Assynt, Scotland
4th September 2024

carrots

I see them every evening when I go to pull the blind on the side window of my caravan living room. Its frame perfectly frames them, hundreds of white flower heads crowding towards me in the half-light. Each one is a disc, itself composed of a hundred-odd tiny white five-petalled florets, and they seem to me like a miracle, these tall bustling blossoms which appeared all of a sudden this July.

I had to wait until they flowered to confidently identify them – wild carrot – and since the first one began to show its petals, they’ve exploded in number and inflorescence with new ones shooting up or opening almost daily. There are none in the immediate vicinity so they must have come from the native wildflower seed mix I dimly remember scattering in various parts of the garden a couple of years ago. There seems to have been no trace of them until this summer but apparently they flower in their second summer and the first summer grow a basal rosette of leaves which I do vaguely remember noticing last year. They’re a welcome surprise, if a bit bizarre, this lone stand of flowers bristling on the end of the low rise beside my caravan. They’re so high and gangly, they look a touch demented, a cubic metre of feathery flowery madness.

They come into their own in the dusk, their round white umbels like speckled moons floating above the settling darkness, seeming to hold a lucence of their own as the light from the sky seeps away. I stand and gaze at them, entranced, another moon face glowing through the glass. I often end up not closing the blind at all but settling myself down on the sofa beside the window and glancing out at them repeatedly as I write or read, enjoying their floral companionship in the encroaching night.

There’s something compelling about seeing white flowers at night. Once, when I was walking through the New Town in Edinburgh late in the evening, I came upon an arch of white roses woven over one of the gates of the private parks. I assumed there had been a wedding, and was so taken by the image that I carried white roses at my own wedding, in the deep cold of a Canadian winter a few months later.

Eventually the long winter melted, suddenly and rapidly, into summer, and as I struggled with the oppressive heat and blackness of the Montreal evenings, I took great solace in the night flowers. There were many, blooming forth from the tiny profusive gardens that lined the neighbourhood sidewalks, and I found them so sensual, just looking at them was a visual caress. The white ones captured me particularly, their pale blooms seeming to loom at me, almost leer at me, as I’d stroll past on my slow way home from the bar. I’d sometimes trail my fingers against them, the gentle touch of their petals cooling and soothing me as the humid air pressed stickily on my bare arms and calves.

Here, thirteen degrees further north and a few thousand miles east, the summer has been cold and windy and the south-westerly gales that have been battering us for weeks have pushed the long stalks of my carrots over so that they really do loom at me as I approach with my gaze. They lean in to me as I go to the window, and beckon me out, open-handed, into the night.

Lochinver, Assynt, Scotland
16th August 2024

invitation

sepals spread
   petals parted
      stigmatic lip curling
             stickily
      in wait

close-up of pale creamy petalled iris covered in large clear beads of rain

Jupiter Artland, Edinburgh, Scotland
5th June 2024