flow

This is the greatest happiness, moving foot by foot over flowing rock. There’s so much of it, I’m spoilt, running upward and downward, alternating between following smooth tributaries and stravaiging over the wide plains of the full lithic flood.

And it is a flood, a huge bed of quartzite formed from the sands of an ancient seashore, deposited upon Torridonian sandstone, formed from the sands carried by ancient rivers which once flowed over the even more ancient bedrock of Lewisian gneiss. In the intervening millennia, this layered mountain mass has been repeatedly shaped and sculpted by ice and, although it’s been thousands of years since it was last glacially scoured, in places its faces glow like freshly scrubbed skin.

Not much grows on quartzite, so much of its surface is clean: it produces little soil and nutrition, and moss, grass and heather encroach only slowly. However, it’s its tone which brings it to life. It’s a pale stone, creamy-white, grey, or bluish, but is often stained with iron. The tenderness with which the iron tints it continually surprises me, from delicate tinges and marblings of peach and rose to bold stripes and swathes of thick mauve. I can’t help but lay my palms out along it, lie down on it, press myself into it.

I meander my way up the long slow slope to reach the bealach and sit on a flat stone in the largest of its shallow lochans. A huge blue-and-black-striped dragonfly beats around the reedy fringes. It’s so large its wings make a buzzing sound, like a miniature chainsaw cutting about, noisy even over the heavy drone of the bees. Although thinly grown, the quartzite is inhabited. Dor beetles are clambering about, humans too, hiking in serious silence or chatting breathlessly towards the summit, the odd dog scampering ahead. I let them all pass. I’m not going to the top today. Today is for communing with quartzite.

It’s technically not true metamorphic quartzite but quartz arenite, a sandstone comprised almost entirely of quartz, and it’s beautiful. Whatever I’m doing, out walking or building drystone walls, my eyes and hands and feet are drawn to it. It may be hereditary. Stonework runs in my dad’s side of the family, men from the three generations before his being stonemasons and quarry masters, building houses and roads across the Highlands and Perthshire. For a while, my great-grandfather built roads and airstrips with quartzite which he quarried near Onich.

I get up from the lochan and find a boulder to shelter behind. The stiff southerly wind holds a wintry coolness, carrying ravens and sea eagles, and whipping my whitening hair around my face. I find a slanted north-facing shelf and settle myself there, propping a flat stone with a couple of wedges to make a horizontal seat. From here, I look directly ahead to Arkle and Foinaven, the greatest of the quartzite mountains, an extensive complex of ridges with sweeping skirts of scree. I flew over all these mountains in a small plane on a clear winter’s day earlier this year. The sinuousness of their forms is much more apparent from the air as they curve and weave, rising and subsiding like petrified waves. This mountain I’m on now, Quinag, is also a beauty from above, its huge ridges and corries dropping away vertiginously at improbable angles.

What to do with it all? I’m always caught between flight and groundedness, between a rock and a high place. Maybe we all are, living somewhere in the in-between, in the alternation, rising and subsiding, passing through time.

pale grey quartzite with scattered small boulders, edged by bronzing heathery grass

Spidean Coinich, Quinag, Assynt, Scotland
5th September 2025

high fliers

Almost more startling than the jagged granite needles are the deft black birds which coast smoothly around them. They move like shadows, soundless and sure, dark wings and tails fanning out elegantly beneath us as we stare down from our perch. Mont Blanc rears above us, its rounded snowy cap strangely benign compared to the sheer faces and sharp fractures of the cliffs and spires which immediately surround us, and to which we are so improbably attached.

And how are we attached? How did this cluster of rooms and walkways ever get built onto this shard of red granite? As if stringing up a cable car was not challenge enough! We wander around the sunny terrasse in a daze of marvel and altitude-induced light-headedness. We ascended quickly – 2807 metres (9209 feet) in fifteen minutes – and after gazing up at these peaks for days, I’m finding it difficult to grasp that I’m really here, on the Aiguille du Midi, among the highest mountains in Europe.

I lean over the railing and watch the birds again. ‘Chocards’ my friend calls them, which I think must be choughs. I’ve never seen them before. They fly mostly in pairs, gliding buoyantly, their swift animal grace a surprising presence among these endless serrations of bare rock and snow. If I’d expected to see any birds this high, I would have assumed they’d be grand like eagles or dainty and snow-coloured like buntings, yet these most closely resemble jackdaws, birds I associate with towns and cities. Like jackdaws, they seem untroubled by our human encroachments, swooping over pinnacle and balcony alike. Unlike the procession of bulkily-clad skiers clattering their way to the slopes below, they are the true alpinists, utterly at ease in the austere drama of these mountains.

As I wish I was. I could stay here for eternity, with these radiating mountains and this dazzling sun which, at 3842 metres, I’m closer to than I’ve ever been. However, my legs feel heavy and my head is dizzy with height and brightness. I turn reluctantly to leave the terrasse. As I open the door, two of the birds fly close overhead and I see their pale neat beaks, their red legs and feet tucked tightly in. I step inside and walk slowly down towards the cable car but my mind, flight-filled, is light as a feather.

from the Aiguille du Midi

Téléphérique Aiguille du Midi, Chamonix, Haute-Savoie, France
6th April 2025

Beinn Dearg

It was a long walk in to the mountain, the red mountain so-called, though the stone was mostly weathered a silvery grey. Dark shadowed cliffs loomed up beside me as I wound my way up the glen, a bonny brown burn running beneath them, rushing over boulders and dropping off ledges in frothy white streams. At the foot of the steepest cliff, cradled in a corrie, lay a shallow lochan, its floor half-covered in soft weed which shone a gentle green in the sunlight.

I walked on, zigzagging up to the bealach below the summit, veering off the path halfway up to investigate a huge white stripe in the hillside – a hefty vein of quartz. There had been lumps and flakes of quartz dotting the path, and chunks and slim veins embedded in occasional boulders – not an unfamiliar sight in the north-west – but this was a whole slab of quartz, a huge shelf of it. Big chunks lay broken loose beneath it, their edges razor-sharp as if freshly splintered. Indeed the whole mass of it looked newly formed, brittle and bright and clean. Although its texture was slightly to the touch, it was shiny, like congealed snow when the layer of ice on its surface gives it a glassy glaze.

I looked up at the cliffs beneath the summit ridge, close now. Another short stripe of quartz cut high up across them and on the grassy slopes slung above lay a couple of swathes of snow. Eager for coolness on this hot day, I scrambled upwards, following the improbable stone wall which climbed from a lochan on the bealach straight up the side of the hill almost to the summit before turning neatly to the right to run above the cliffs. As I ascended, the mountain reddened, the grey rock underfoot giving way to a peachy-orange tint where the stones had been disturbed or the ground worn by footfall. I understood its name now but it was the whiteness which most compelled me and after resting at the summit cairn, I headed back to the wall, clambering over a gap to take a handful and mouthful of snow.

Refreshed, I continued alongside the wall. Well-weathered and evidently old, it was in remarkably good shape, six foot high in stretches and running for several miles with only occasional collapsed sections. I marvelled at it as I followed its seemingly endless length down the westward spine of the mountain: a single skin construction of large heavy slabs stacked mostly vertically; huge slabs, although they wouldn’t have had to carry them far given the boulderfield the wall ran through. I held onto the wall frequently for physical and moral support as I picked my down the horizontal maze of prone stone until finally it ended at a rusted iron fence post, and I scrambled and slid down the steep heathery slopes to join the path again.

Covered in sweat and mud and presumably ticks, as I looked for a place to cross the burn, I came upon a little scooped pool where the water settled before tipping over a smooth lip. Sheltered from almost every angle, I stripped off and slipped in, letting the water lap over me, cooling and soothing my heated, scratched skin as the evening sun slid slowly down the sky.

I watched the white froth of the water entering the pool and felt with my foot the small vein of quartz that flowed through the pool’s floor, and I thought of the snow, cold on my tongue. What height, what whiteness! And yet it was when ambling back down the path and re-entering the forestry plantation at the foot of the glen that I was most utterly enthralled.

To my right, amid the tall conifers, was a walled enclosure. Small ruined buildings edged its southern side but the wall itself was mostly intact and held a small field almost entirely carpeted in bluebells. I walked in and stood in a small grassy clearing in the centre. The sun was leaving and in the cool shadow, the colour seemed to hover, scented, in the air.

I stood there for some time, a contentment settling upon me, and such a sense of peace; of deep blue peace. I could have stood there forever. All the glories of the day gathered there in the evening light, in the frilly blue haze, punctuated here and there with small patches of white. I wondered what this other flower was but on looking closer discovered it was bluebells, clutches of pure white bluebells, the tender curls of their living flesh breathing in the field with me, the softest and finest of all the day’s treasures.

close-up of vertically stacked stone wall with the pale blue sky shining through its gaps

Beinn Dearg, Loch Broom, Wester Ross, Scotland
15th May 2024

heartening

I’ve been corrupted.

Yesterday I walked up a hill, as I often do, following a burbling burn with pretty pools and falls, and up onto a rounded top covered in boulders of shattered blue-grey quartzite. Behind me the western mountains rose from the sea like petrified waves and ahead of me eastern Sutherland spread out in all its low and dappled brown glory. Everything was gleaming in the clear summer sun – the rocks, the lochs, the distant sea – but all I could see were good builders (large and squareish with clean faces), fine pins (long and slender) and some excellent (tapered and triangular) wedges.

The summit itself was covered in hefty slabs, perfect for making cheekends, and previous hillwalkers had used some of them to make a bench, a sound construction, far better built than the low stone wall around the trig point which looked distinctly shoogly. I secured one end of the wall with a handy wedge, sat on it and ate my lunch, then slept heavily for a while on the stone bench in the sun.

“Have you started dreaming of stones yet?,” the waller who is training me asked recently. I had. And now even my waking thoughts are stone-shaped: sometimes rough, sometimes smooth but substantial and with a satisfying heft. Even the little thoughts have their uses, like the hearting in a wall, supporting and securing those of larger dimensions. Nothing is wasted.

I think about this as the mountain carries me along, this heightened attunement to rock. It’s not only in my mind but my hands too. I can almost feel the stones that I think about: their grain and texture, their corners and edges, their linear or complex forms (the even grain of Torridonian sandstone, the sheer faces of Cambrian quartzite, the lumpy curves of Lewisian gneiss).

I’m being changed by them, and it’s disorientating, as change often is. But as I recover from the fragility of a brain injury, I sense that working with stone is good for me, that it’s therapeutic in some way. In lifting the stones, handling the stones, placing the stones, I’m being consolidated. I’m being built up. I’m being heartened.

long slender pale stone embedded in dry grass pointing towards distant blue lochs and hills

Ben Hee, Sutherland, Scotland
4th June 2023

from the north, clockwise

Foinaven
    Arkle
  Ben Stack
     An Lèan-Chàrn

               Quinag
                    Glas Bheinn

            Canisp

        Suilven

               Cùl Mòr

           Cùl Beag

     Stac Pollaidh
Ben Mor Coigach

A litany of beauty
A snow-struck ring of grace

Cnoc na h-Iolaire, behind Lochinver, Sutherland, Scotland
10th April 2021