company
the wind, well-travelled,
the sheltering sun,
a pebble,
waiting in our shadow
Ullapool River, Wester Ross, Scotland
8th September 2025
the wind, well-travelled,
the sheltering sun,
a pebble,
waiting in our shadow
Ullapool River, Wester Ross, Scotland
8th September 2025
This is the greatest happiness, moving foot by foot over flowing rock. There’s so much of it, I’m spoilt, running upward and downward, alternating between following smooth tributaries and stravaiging over the wide plains of the full lithic flood.
And it is a flood, a huge bed of quartzite formed from the sands of an ancient seashore, deposited upon Torridonian sandstone, formed from the sands carried by ancient rivers which once flowed over the even more ancient bedrock of Lewisian gneiss. In the intervening millennia, this layered mountain mass has been repeatedly shaped and sculpted by ice and, although it’s been thousands of years since it was last glacially scoured, in places its faces glow like freshly scrubbed skin.
Not much grows on quartzite, so much of its surface is clean: it produces little soil and nutrition, and moss, grass and heather encroach only slowly. However, it’s its tone which brings it to life. It’s a pale stone, creamy-white, grey, or bluish, but is often stained with iron. The tenderness with which the iron tints it continually surprises me, from delicate tinges and marblings of peach and rose to bold stripes and swathes of thick mauve. I can’t help but lay my palms out along it, lie down on it, press myself into it.
I meander my way up the long slow slope to reach the bealach and sit on a flat stone in the largest of its shallow lochans. A huge blue-and-black-striped dragonfly beats around the reedy fringes. It’s so large its wings make a buzzing sound, like a miniature chainsaw cutting about, noisy even over the heavy drone of the bees. Although thinly grown, the quartzite is inhabited. Dor beetles are clambering about, humans too, hiking in serious silence or chatting breathlessly towards the summit, the odd dog scampering ahead. I let them all pass. I’m not going to the top today. Today is for communing with quartzite.
It’s technically not true metamorphic quartzite but quartz arenite, a sandstone comprised almost entirely of quartz, and it’s beautiful. Whatever I’m doing, out walking or building drystone walls, my eyes and hands and feet are drawn to it. It may be hereditary. Stonework runs in my dad’s side of the family, men from the three generations before his being stonemasons and quarry masters, building houses and roads across the Highlands and Perthshire. For a while, my great-grandfather built roads and airstrips with quartzite which he quarried near Onich.
I get up from the lochan and find a boulder to shelter behind. The stiff southerly wind holds a wintry coolness, carrying ravens and sea eagles, and whipping my whitening hair around my face. I find a slanted north-facing shelf and settle myself there, propping a flat stone with a couple of wedges to make a horizontal seat. From here, I look directly ahead to Arkle and Foinaven, the greatest of the quartzite mountains, an extensive complex of ridges with sweeping skirts of scree. I flew over all these mountains in a small plane on a clear winter’s day earlier this year. The sinuousness of their forms is much more apparent from the air as they curve and weave, rising and subsiding like petrified waves. This mountain I’m on now, Quinag, is also a beauty from above, its huge ridges and corries dropping away vertiginously at improbable angles.
What to do with it all? I’m always caught between flight and groundedness, between a rock and a high place. Maybe we all are, living somewhere in the in-between, in the alternation, rising and subsiding, passing through time.

Spidean Coinich, Quinag, Assynt, Scotland
5th September 2025
It was a long walk in to the mountain, the red mountain so-called, though the stone was mostly weathered a silvery grey. Dark shadowed cliffs loomed up beside me as I wound my way up the glen, a bonny brown burn running beneath them, rushing over boulders and dropping off ledges in frothy white streams. At the foot of the steepest cliff, cradled in a corrie, lay a shallow lochan, its floor half-covered in soft weed which shone a gentle green in the sunlight.
I walked on, zigzagging up to the bealach below the summit, veering off the path halfway up to investigate a huge white stripe in the hillside – a hefty vein of quartz. There had been lumps and flakes of quartz dotting the path, and chunks and slim veins embedded in occasional boulders – not an unfamiliar sight in the north-west – but this was a whole slab of quartz, a huge shelf of it. Big chunks lay broken loose beneath it, their edges razor-sharp as if freshly splintered. Indeed the whole mass of it looked newly formed, brittle and bright and clean. Although its texture was slightly to the touch, it was shiny, like congealed snow when the layer of ice on its surface gives it a glassy glaze.
I looked up at the cliffs beneath the summit ridge, close now. Another short stripe of quartz cut high up across them and on the grassy slopes slung above lay a couple of swathes of snow. Eager for coolness on this hot day, I scrambled upwards, following the improbable stone wall which climbed from a lochan on the bealach straight up the side of the hill almost to the summit before turning neatly to the right to run above the cliffs. As I ascended, the mountain reddened, the grey rock underfoot giving way to a peachy-orange tint where the stones had been disturbed or the ground worn by footfall. I understood its name now but it was the whiteness which most compelled me and after resting at the summit cairn, I headed back to the wall, clambering over a gap to take a handful and mouthful of snow.
Refreshed, I continued alongside the wall. Well-weathered and evidently old, it was in remarkably good shape, six foot high in stretches and running for several miles with only occasional collapsed sections. I marvelled at it as I followed its seemingly endless length down the westward spine of the mountain: a single skin construction of large heavy slabs stacked mostly vertically; huge slabs, although they wouldn’t have had to carry them far given the boulderfield the wall ran through. I held onto the wall frequently for physical and moral support as I picked my down the horizontal maze of prone stone until finally it ended at a rusted iron fence post, and I scrambled and slid down the steep heathery slopes to join the path again.
Covered in sweat and mud and presumably ticks, as I looked for a place to cross the burn, I came upon a little scooped pool where the water settled before tipping over a smooth lip. Sheltered from almost every angle, I stripped off and slipped in, letting the water lap over me, cooling and soothing my heated, scratched skin as the evening sun slid slowly down the sky.
I watched the white froth of the water entering the pool and felt with my foot the small vein of quartz that flowed through the pool’s floor, and I thought of the snow, cold on my tongue. What height, what whiteness! And yet it was when ambling back down the path and re-entering the forestry plantation at the foot of the glen that I was most utterly enthralled.
To my right, amid the tall conifers, was a walled enclosure. Small ruined buildings edged its southern side but the wall itself was mostly intact and held a small field almost entirely carpeted in bluebells. I walked in and stood in a small grassy clearing in the centre. The sun was leaving and in the cool shadow, the colour seemed to hover, scented, in the air.
I stood there for some time, a contentment settling upon me, and such a sense of peace; of deep blue peace. I could have stood there forever. All the glories of the day gathered there in the evening light, in the frilly blue haze, punctuated here and there with small patches of white. I wondered what this other flower was but on looking closer discovered it was bluebells, clutches of pure white bluebells, the tender curls of their living flesh breathing in the field with me, the softest and finest of all the day’s treasures.

Beinn Dearg, Loch Broom, Wester Ross, Scotland
15th May 2024

Balchladich beach, Assynt, Scotland
14th December 2023

I pull out of the layby and head north. After a hot and sweaty day’s hill walking on Cranstackie and Beinn Spionnaidh and a muggy night in the van, I’m ready for some cold salt water. The flat gold sands of Ceannabeinne beach hover alluringly in my mind as I drive up the side of Loch Eriboll, but after only a few minutes I’m compelled to pull in, as my eye has been caught by the wall at the entrance to Lotte Glob’s sculpture croft. I walk over for a closer inspection. It’s a graceful wall, smooth and neat, and as it slopes evenly down the steep bank on each side of the gateway, its vertical coping stones form an elegant slanting line. Most striking of all, it’s built entirely from quartzite and its soft pink and grey tones give it an almost tender aspect.
I think it’s the most beautiful dry stone wall I’ve ever seen. I’ve been paying a lot more attention to walls since I started learning how to build them a few months ago. I work in Assynt, rebuilding old walls which have fallen into disrepair, so am usually working with Torridonian sandstone and Lewisian gneiss, the two main types of bedrock there. There’s the odd lump of quartzite – which is otherwise mainly found on the area’s mountaintops – but not much, which is a shame as it’s my favourite type of stone. Indeed, it’s the reason I’m up here. Beinn Spionnaidh and Cranstackie are comprised almost entirely of quartzite on their eastern sides, and I’ve had great fun walking and scrambling over their extensive boulderfields.
I get back in the van and continue up the loch. There are a lot of walls here and I notice now that they’re all quartzite, lichened and weathered grey over time, but still subtly luminous and clean in their lines. I’d love to build a wall out of quartzite. It’s such a stylish stone with its crisp edges and rakish diagonals. It’s also the easiest of the rocks I’ve worked with to dress, splitting nicely and yielding lovely sharp wedges.
Maybe one day I’ll get work up here. For now, I’ll get to the beach and soak my tired feet and wonder about the older coasts I have just been walking on. The quartzite here is a type of quartz sandstone which was originally laid down on a sea shore about half a billion years ago. Some of it, the pipe rock of the summits, contains fossilised burrows of ancient sand worms. It’s hard to imagine the age of the stone that passes through my hands and under my feet these days. My impending half century is nothing in comparison. I’m a bubble of froth on an incoming tide, a feather falling from a bird’s wing.
Entrance to Lotte Glob’s croft, Laid, Loch Eriboll, Sutherland
18th June 2023
I’ve been corrupted.
Yesterday I walked up a hill, as I often do, following a burbling burn with pretty pools and falls, and up onto a rounded top covered in boulders of shattered blue-grey quartzite. Behind me the western mountains rose from the sea like petrified waves and ahead of me eastern Sutherland spread out in all its low and dappled brown glory. Everything was gleaming in the clear summer sun – the rocks, the lochs, the distant sea – but all I could see were good builders (large and squareish with clean faces), fine pins (long and slender) and some excellent (tapered and triangular) wedges.
The summit itself was covered in hefty slabs, perfect for making cheekends, and previous hillwalkers had used some of them to make a bench, a sound construction, far better built than the low stone wall around the trig point which looked distinctly shoogly. I secured one end of the wall with a handy wedge, sat on it and ate my lunch, then slept heavily for a while on the stone bench in the sun.
“Have you started dreaming of stones yet?,” the waller who is training me asked recently. I had. And now even my waking thoughts are stone-shaped: sometimes rough, sometimes smooth but substantial and with a satisfying heft. Even the little thoughts have their uses, like the hearting in a wall, supporting and securing those of larger dimensions. Nothing is wasted.
I think about this as the mountain carries me along, this heightened attunement to rock. It’s not only in my mind but my hands too. I can almost feel the stones that I think about: their grain and texture, their corners and edges, their linear or complex forms (the even grain of Torridonian sandstone, the sheer faces of Cambrian quartzite, the lumpy curves of Lewisian gneiss).
I’m being changed by them, and it’s disorientating, as change often is. But as I recover from the fragility of a brain injury, I sense that working with stone is good for me, that it’s therapeutic in some way. In lifting the stones, handling the stones, placing the stones, I’m being consolidated. I’m being built up. I’m being heartened.

Ben Hee, Sutherland, Scotland
4th June 2023
Sand crystals white as snow.
Snow crystals clear as glass.
I fill my hand,
I fill my mouth,
I fill my eyes,
thankful to regain life at high resolution,
life with steep resolve.

Spidean Coinich, Quinag / A’ Chuineag, Assynt, Scotland
24th April 2021

Pontycymer, Glamorgan, South Wales
25th February 2021

Two-banded longhorn beetle (according to Assynt Field Club) on the summit of Ben More Assynt, Sutherland, Scotland
1st June 2020
a maniacal butterfly
and a bee bombing about
and my limbs aching in their driving desire
in the drenching blue sun
in the scouring white wind
on the stones
on the bones
on the bare back of Scotland

Quinag / A’ Chuinneag, Assynt, Scotland
5th May 2015