notes on a head injury (1)

I sit on my sofa-bed trying to read. I’m bathed in radiation, nestled between the soft light of the bulb hanging above me and the warm breath of the fan heater in front, but the comfort doesn’t console me. I’m trying to read the book which is in my hands, trying to catch hold of the words on the pages and find their connected meaning, but it’s difficult. It’s as if I can’t get in. My brain slips on the surfaces, lapsing instead of latching, and I find myself stumbling repeatedly over mysterious unseen obstacles.

“I begin with haard’dloq, extremely thin new ice that cannot be stepped on without danger, and then hikuliaq, new ice which is still slippery and yet can be travelled across.” *

Perhaps the subject matter isn’t helping and I wonder if it’s strange that I’m choosing to read about ice just now. It’s the season for it, I suppose, but it’s been a mild winter here so far. The temperature has rarely dropped towards zero and nothing has frozen yet. There hasn’t even been frost this week, the air being too wet and wild to permit any kind of stasis. I don’t think there’s much in our freezer either: the congealed mass of peas which I held to my head after bouncing it off a rock has long since been cooked and eaten. Nonetheless, I find it hard to get a grip. Words slide from the pages as I read, their crystallisations of meaning melting out of memory almost as soon as they’ve assembled, or sometimes before. It’s not that there are gaps – I’m not aware of any specific absences or elisions – but the greater order of things eludes me. On the rare occasions when I do manage to gather some sentences together, the reason for their proximity remains opaque.

Maybe I’m trying too hard. My consciousness is so clumsy at the moment, skiting across the veneer of the world ungracefully – and ungraciously. Yet, because or in spite of this, other things are drawing my attention. Maybe they’re always there and it’s only now I notice but lately I’ve been encountering all these little consonances; things echoing and repeating in different places. Photographs of snowflakes I see online recrystallise unexpectedly on the pages of a book, floods seep out of pages and into the fields around me, a phrase uttered by a character in an old Northern Exposure DVD is repeated by my boyfriend in the kitchen half an hour later. It’s as if different fields of existence are resonating, as if life itself is rhyming a bit.

I’m not sure what’s going on – if I am picking up on some subtle patterning or am simply confused. I’m certainly disorientated. Indeed, in some ways it seems that the world is inverted; as if I’m trapped on underside of ice and observing life from there. The most familiar things appear strange and at times I barely recognise myself.

It’s not just the brain injury, though that’s a big part of it. It’s also the lockdowns, the endless reiterating train of them: closing down, shutting up, holding in, keeping apart. Their effects are not just superficial. Like everything living, we’re not so much entities as processes – doings, motions, living veins running through the world. And when our activities are frozen and our moving stopped, we ice over, we ossify, we lose hold, not only of our livelihoods and of the human animals that we love but of our very companionship with ourselves.

It’s a discouraging time, all in all, but the consonances give me heart. Each time I meet one it’s like a warm touch, reassuring me that I’m still in favour with the world, still alive among its undercurrents even as I struggle at the surface. Indeed, during these moments I begin to feel a sense of belonging again; a sense that I’m inhabiting a deeper part of my brain and a deeper part of my body – a place beneath the stalled outer layers where my movement is more fluid, my contact more true. It’s a confirmation, a reminder, and a relief: that there’s life beneath; there’s always life beneath.

*Nancy Campbell, The Library of Ice (London: Scribner, 2018, pp. 112-3)

Pontycymer, Glamorgan, South Wales
12th January 2021

clearing

All the sounds are so loud: the flapping wings of the hoodies cruising overhead, the beating of the cormorant upon the sea in front of me, the crisp chirps of wee land birds on the hill behind. It’s intense – the clarity of the still air, the clarity of my cleared ears. They don’t hurt any more but I hear the noise of all the life here so acutely it’s almost painful.

The hammer blows of someone working on the other side of the loch rebound across the water. A dog barks over there too. I know that cold water conducts sound across its surface very efficiently but I feel as if I’m sitting in an amphitheatre. Even the occasional gentle shwoosh of the sea along the shore seems amplified. A prawn boat glides in, cutting the water in two with a steadily increasing hum, and I have the sensation that not just this but all sounds are drawing near.

All sounds are drawing near and all sounds penetrate. The wings of the hoodies creak so densely it’s as if they’re sawing through the sky, and when they caw I feel as if my brain is being grated. The hard-edged audio quality affects how I see things too. The loch and its headlands appear fresher and more present, turning rapidly as the sun sinks from green and blue to black and gold. The air contracts to a sharp coolness. The loch seems huge and small at the same time, with myself just a stillness beside it, collecting audible events in an empty echoing head.

This unusual clarity might also be due to the fact that, for the first time in weeks, I am alone – my attention undisturbed, my ears free of voices. Indeed, that’s what I’ve come here for, for this loud silence and for these elements: blessed seashore, blessed solitude, blessed sound.

Lochinver, Sutherland, Scotland
29th October 2019

Ophelia

A great grey roll of cloud lies over the mainland. Over the island, the noon sun is salmon-red, sidling eyewards in quick glimpses between snowballing white clouds. The boats are rolling about, lurching in their berths, jerking as the lines tug taut, as the wind stiffens and rises.

It’s hard to take a wind with a human name seriously. Yet Ophelia excites me, fraying my nerves to a quiet frenzy as her wheeching whine conducts itself through sixty-odd riggings. The noise builds in a strange sheer crescendo. The motion builds too, the boat becoming increasingly restless in her cramped quarters, straining at her moorings, sending my heart shuddering in its hull with each jarring heave. She wants to be released, wants to ride herself free on this great gusting abandon. And I do too, though instead I keep holding on, obsessing over our lines, loosening and re-looping them repeatedly as I try to find the perfect balance – enough slack to have room to move yet enough tension not to stray.

Oh, but it’s tempting – although in this wind we’d be on the shore before we had time to raise even the head of the sail. Patience, I tell myself. It’s not time to cast off yet. It’s not time to let go.

Port Bannatyne marina, Isle of Bute, Argyll, Scotland
17th October 2017

northward

We’re hanging out here with the eiders and oystercatchers, the heron and a few noisy gulls. We’re waiting for our flu to subside, for the winds to shift, for the tide to turn. And when they do, we’ll be gone again, north again, hopefully further north than we’ve ever been before.

The sun’s cool and golden now, settling slowly behind the various western peninsulas of the mainland. Will it be thinner in the north or more substantial? And what will we be? Still light-driven nomads of sorts, I guess. As I suppose we all are, continually moving in time if not geography, forever following the sun.

Ettrick Bay, Bute, Scotland
10th April 2017