Nikko

wee backyard shrine in Nikko

Wandering around the back streets and alleys of Nikko, I notice every second or third house hosts a small shrine in its tiny walled grounds. Most are red-painted, often with complete with a small torii (gate) as well. Even on a patch of wasteground between houses, there’s a miniature stone shrine. Two white porcelain beckoning cats, which bring good fortune, sit either side of its narrow portal, and a glass of sake appears one morning as well.

I love the flashes of red, the glimpses of gateways, crimson thresholds. At the edge of town is a wooden bridge so sacred you have to pay 300 yen to cross it. It’s also red and curves gently across the green-blue river, bringing out the vermillion tints emerging in the forests which rise steeply above it. Red times, times of changing. We are on the cusp.

Nikko, Tochigi, Japan
16th October 2014

Shiraito no Taki

A turquoise-pooled paradise
in a bowl, a basin
hung with white strings

myself at Shiraito no Taki

Shiraito no Taki (‘waterfall of white threads’), Fujinomiya, Shizuoka, Japan
14th October 2014 (photograph by Uemura Katsuhiro)

Fuji-san

Rising naked at dawn
gathering a soft shawl for the morning

At sunset
held aloft on a shrug of rosy white cloud

Fuji-san from Fujinomiya

Fuji-san from Fujinomiya, Shizuoka, Japan
14th October 2014

morning

Leaving in the early morning,
moisture rises off the rice fields,
the blue ridges of the mountains dissolve.

Fukui, Japan
9th October 2014

dojo

I am folded within the green mountains of Miyama. The weather is warm. A light rain has just fallen, diffusing the thick wall of cedar-green foliage that fills the window. We are in the Kurumaya Taiko Dojo. Dojo means ‘the place of the way’ and it is a beautiful place: a large high-ceilinged low-windowed room with a warm hinoki, cypress, floor. The walls are wood-panelled as well, and hung with prints and scrolls of Kurumaya-sensei’s calligraphy, and photographs he has taken of Miyama in snowy and summer seasons.

It feels very natural to be here, perhaps because the room itself feels natural, perhaps because natural elements gather here. It is a room made of wood and paper after all, and a room made of skin, with taiko, drums, lining all its walls.

Asano nagados

There are taiko of many forms and sizes – small taut shime and little hand-held uchiwa fan drums, as well as huge uchiwa, and an odaiko (‘big drum’). There are also several light barrel-construction okedos and – my favourites – rows and rows of nagado, ‘long-bodied’ drums made from one piece of hollowed wood with the skin tacked tightly around.

The skin of the taiko is cleaned cow skin and the room reverberates with it as we draw the drums into a circle and, pulling our own skins taut over our muscles, beat and sweat and beat.

Out the window, beneath the green cedars, the mineral-blue river gurgles slowly along the valley floor. Above it, just visible in the rock of the facing mountain, are three little stone Buddhas. They sit all day long, as we come and go, in their fading red bibs in their little hand-carved holy place. It’s good to have a home.

Asano shime daiko

Kurumaya Taiko Dojo, Miyama, Fukui, Japan (taiko made by Asano Taiko)
8th October 2014

glimpse

South west out of Tokyo the road unravels, from the gridlock of skyscrapers, through scattered suburban sprawl, and down and out towards the mountains, rising like blue waves ahead.

The hills look young, sharply ridged and thickly wooded, bridges like scaffolding bracing their narrow valleys. The road winds beside and between them, beneath groves of yellowish bamboo fanning their slopes like giant feathery ferns, and intermittently crossing turquoise-green rivers which slide out from the valley floors.

Japan is either steep or level. Where the hills stop, the plains start, and the rivers then meander slowly across them, between yellow rice fields and grey cities, out towards the shining pacific sea. The road veers out from the mountains to follow them, and before long we are rolling alongside the flat southern sunshine of the ocean while the land concertinas away – like a dream – in fading blue folds to the north.

*

first glimpse of Mount Fuji above the mountains
   hanging flat
      like a ghost or a backdrop brushed in palest
                                              (almost transparent)
                                                                                   blue

Bus from Tokyo to Fukui, Japan
1st October 2014

Tokyo

There’s a lot of vegetation in the quieter districts of Tokyo and, since the streets aren’t named, and since most of the buildings look similar, I rely on the plants to navigate and find my way around. They become familiar: the pink flowering tree, the green fluffy maple with its leaves like a thousand tiny hands, the tall red-turning hedge, the pale green conifer with soft feathered claws hanging.

The trees are distinctive here, thankfully, and exotic. And they seem to grow to suit their district. Twisted Japanese-looking pines predominate in the small stone household courtyards, often pruned and wrapped into bonsai-like shapes, but in the backstreets of the bustling bright district of Shimbashi, I found a shrine complex where the trees rose almost as high and straight as the skyscrapers surrounding it.

The numerous trees in Tokyo are a pleasant surprise to me. The other surprise is the multitude of hidden shrines, tucked away in the corners of parks, in back alleys, between skyscrapers, behind trees. They’re little pockets of peacefulness and I seek out their solace regularly. I feel strangely reverent and slightly magical in their presence, as if I’ve slipped back in time a little and can become part of the ceremony and power of the shrine. It’s a simple ritual: offer a coin, make a prayer, toll the bell, clap your hands, twice (to wake up the gods), then bow and quietly depart, having washed your hands and mouth in the spring water fountain before entry. Old rites of purification and desire.

And then I can return, when I must, to the crazy Tokyo – to the long downtown streets lined with neon rainbows of high-rises, or to the weaving maze of backstreets, crammed with tiny restaurants and micro-bars, bathed in the softer glow of paper lanterns and a haze of smoke and cooking smells.

I walk and resist, walk and resist, enjoying the myriad lights of the outdoor Tokyo, until I am lured by necessity into the network of metro stations and malls, where I force myself to submit. Then I drift hopelessly along the fluorescent platforms and passageways, with their shining shops and beckoning kiosks and high female voice-overs which explain and apologise and cajole. No electricity is spared here. And I could become part of it, become just another pixel in the smooth lighted buzz… but every few minutes I’m jolted out of my synthetic reverie by another taut announcement, with its childish melody chiming loudly along beside it.

Ah, Tokyo. It panics and charms me by turns, and I can’t wait to get out.

paper lanterns and red lights

Tokyo, Japan
29th September 2014